Books

Spiderwick has an alternative source of facts. Fablehaven has competition. And Hagrid wipes a tear from his eye as he adds a new volume to the summer reading list for the Care of Magical Creatures.

This is all due to one Pip Bartlett, a young girl who lives in America which is exactly like the one we know -- except for the zoology, which has been expanded to include magical creatures. Despite all this magic that people have everyday contact, there is an unshakeable disbelief in Pip's claim that she has the ability to talk with these creatures like some eldrich Doctor Dolittle. Perhaps that's because she can talk with the creatures and understand them, but they're under no obligation to obey what she tells them.

I actually am amazed that Batwing lasted as long as it did. The fact is managed to reach 34 issues (36 if you count the 0 issues and the Future's End special) is a pretty astonishing feat. Batwing seemed perpetually on the low end of the sale's chart, but DC stuck with it for a long time. Batwing started as a member of Batman Inc stationed in Africa who would deal with villains and problems in that region. It was a very unique book, and I thought Judd Winick did a great job with it.

During Grant Morrison's rather insane run through the BATMAN series a while back, there were two issues that seemed a little off: BATMAN #666 and BATMAN #700. These featured a rather violent Batman a generation into the future. We learned that this Batman was the grown Damian Wayne, and he seemed a little off in the head (he talks to a cat named Alfred) and he's got a bit of an invulnerability power not seen before. Morrison seemed to be messing with our heads with this, because some time after that, in current continuity, Damian was killed at the hands of his mother, Talia al Ghul.

With Damian's recent resurrection -- and with super powers, no less -- it seems almost a certainty that this Batman is an established future, much the way that Jason Todd's death became an established past with statements made in Frank Miller's BATMAN: THE DARK KNIGHT RETURNS.

BATMAN: BLINK collects two stories from the inventive concept that was LEGENDS OF THE DARK KNIGHT, a series where Batman stories could be told without regard to where in the current continuity any of the other Bat-books might be.

In this volume, written by the late, great Dwayne McDuffie, readers are introduced to a blind man who has the ability to see through the eyes of others if he touches them. To date, he's been using this ability to live the good life -- just wait until the last 'touch' pays their bills, then use the information about their checking account to funnel money to another account. It was a pretty sweet con... until his last 'touch' puts him behind the eyes of a wanted serial killer, and he witnesses the next victim's capture. He stops this from happening, but in doing so makes himself a suspect.

It's a big chapter in the (after) life of Lenore, the cute little dead girl, as creator Roman Dirge delves into the Secret Origin of Taxidermy. No, not the art of mounting dead animals (and I don't mean... oh, just for get it!), but Lenore's chilling and sinister friend with antlers, who has a penchant for killing.

I'm lucky to have experienced Beatlemania. Unfortunately, it was thirty years after all the other wild teenage girls. I grew up listening to the music my parent's enjoyed like most children. But I didn't just tolerate it, I loved it...with a passion! Billy Joel and Bruce Springsteen played on my tape deck non-stop and my radio was always set to the New York area oldies station, CBS-FM. And then, I can't remember what started it, but I discovered the Beatles. When I did, it exploded. I listened to my parents' vinyls, they bought me the CD's as they were released, I watched the Beatles movies on repeat and tried to get my hands on any form of them performing. Remember, this was well before YouTube. I couldn't just type in “Beatles” into a search box and click through all of the results. I had to seek as much as I could and, trust me, I did. I had been infected with Beatlemania and completely understood the allure. And for me, I never lost that adoration.

If the first volume of SECRET ORIGINS makes anything else clearer about the continuity of the New 52, it is this: It's a Batman world, and we're all just living in it.

This set kicks off just the way it should for a new series of origins of DC characters -- with Superman, whose origin comes courtesy of Greg Paks and Lee Weeks. It's a unique way to tell the age-old story, as Paks chooses to come at it from the point of two mothers, each carrying the same message despite being galaxies apart. Tony Bedard and Paulo Siqueira deliver the origin of the other Kryptonian sporting the crest of the House of El, Supergirl. This provides a detailed look into her family history, including the military and scientific roles played by her parents, and how those roles conflicted.

The Ame-Comi vision of DC's super heroines in statue form was so popular that DC brought the characters to the comics. Whether the Ami-Comi girls exist on one of the reserved 52 worlds of the DC multiverse isn't made clear, but the changes are more than simply aesthetic. Almost all of the male characters have been represented as females, including Darkseid. It's similar to the conceit of the gender-swapped reality of Earth 11, but also radically different in regards to the relationships of the characters to each other and their world.

The third volume in the worlds most expensive series with the greatest publishing interval is finally here -- and it's worth it on both counts.

SUPERMAN: EARTH ONE's third volume picks up right where the second volume left off -- with the world leaders aghast at this new Superman's brashness at deposing a despotic leader, and the United States military complex hiring the two most brilliant minds on Earth to devise a way to stop him: Lex and Alexandra Luthor.

Oh, and it introduces us to: The Superman Signal! But more about that later.

Whenever I'm offered an opportunity to review children's material, I jump. To be honest, I'm basically a little kid at heart, but that's not the real reason. My 22-month old son, Nate, is the driving force behind reviews like this. I'm so excited to share with him all the things I grew up loving.

Baseball has been one of those passions my entire life, so I'm thrilled to review Marla McKenna's nifty double play of titles. Let me start with Mom's Big Catch from Tate Publishing. It's obvious McKenna understands the game of baseball and the passion we fans feel for our team. Even more, she has chosen to enter the story on an ambition of many denizens of the ballpark--catching a ball!

Celebrations to include collectible giveaways, events, and new publishing

NEW YORK, NY—January 29, 2015—Scholastic, the global children’s publishing, education and media company, will celebrate the 10th anniversary of its groundbreaking Graphix imprint in 2015, with a yearlong celebration to include collectible giveaways, special events, and new publishing. Graphix is dedicated to publishing engaging, age-appropriate graphic novels for children and teens. Supported by librarians, teachers, and most important, kids, Graphix titles have become bestsellers around the globe and continue to receive awards and critical acclaim including multiple Eisner Award wins and nominations, a Stonewall Book Award, a Boston Globe-Horn Book Award Honor, an Edgar Allan Poe nomination, and 14 New York Times bestsellers to date.

“Revelations: The Photographs of Justice Howard” by Schiffer Publishing is more than just a book of photos by an artist. It’s a multidimensional look at the art of photography and tattooing, and how, in the right hands, the two can come together in a beautiful union.

It’s instantly apparent by just looking at the cover of this volume that this is a quality piece of workmanship. The heavy cover stock is beautifully rendered with a tattooed model on the front, laced with vibrant colors, giving us a glimpse of what’s to come.

There are three forwards written in this book, one by an artist and two by “celebrities” featured in this book’s pictures, all paying homage to the photographer, Justice, who also provides a written introduction.

Despite how it may often appear, I don't just read superhero comics. Sometimes I read superhero novels. And over the last few years, I've discovered something -- you can actually find superhero novels whose characters have not appeared in comic books!

Doug TenNapel introduces a new world to his fans with the first book of the NNEWTS series, ESCAPE FROM THE LIZZARKS. At its most basic level, NNEWTS pits peaceful amphibians against aggressive reptiles. Both sides employ different magics, with the Nnewts relying on their magician and the Lizzarks relying on their Wizzark (and yes, TenNapel knows how that sounds, and even pokes fun at the idea himself within the story).

When the Lizzarks invade Nnewtown, they kill ruthlessly. The only apparent escapee is young Herk, who has been cursed with tiny back legs which prevent him from walking out of the water. His flight leads him to a lost kingdom, a confrontation with an evil deity, and a lost colony of Nnewts, with hints of mystical connections Herk never knew he had.

If I ran an architectural firm, I'd make it a point that my conference room and break room would both have a healthy supply of LEGO brick. And maybe many of them do. I know that the most basic of the blocks fuel creativity, and frequently come home amazed at the complexity (and height) of some of my son's creations using just the Duplo brick that he prefers.

Crag Banyon is a private investigator cut from the same cloth as Sam Spade and Mickey Spillane. Unfortunately, his world is a Terry Pratchett-like mishmash of Christmas elves, underworld demons, anthropomorphic personifications of ideals -- and superheroes. If it's a science fiction trope, it's just another client to Banyon.

In FLYING BLIND, the latest installment of the Crag Banyon Mystery series from James Mullaney, Banyon has to put aside his hobby -- drinking -- to take on two cases: tailing a husband whose rich, smoldering wife suspects of cheating, and sleuthing out the identity of a super-villain who has taken it into his head to be the arch-enemy of the latest cape-and-tights wearing flying super do-gooder, Minus. (Actually, the identity isn't the issue -- it's Doctor Cohen -- but do you know how many Doctor Cohen's there are in the city? And that's just assuming all the MDs!)

Sometimes truth is stranger than fiction. And sometimes, fiction is a lot more fun.

For much of my life, I've heard the strange tales about Area 51, Groom Lake, Nevada and the Roswell, New Mexico UFO story -- always connected, even though the two sites are a 14 hour drive apart. Oh, the theories that were generated about the strange lights in the sky, the rousting of trespassers, the autopsies of aliens and all advanced technology that we simply couldn't have come up with on our own. It was the seed from which the best science fiction stories blossomed.

When Timbo, a stuffed elephant, arrived at Andrew's apartment, he was thrilled -- especially when Timbo starts talking to him! Together, this pair of new friends set off on adventures of imagination... which all too soon come to an end when Andrew learns the package that brought Timbo to him was meant for his neighbor, Louise.

ELEPHANTASTIC! is a gorgeously told and illustrated story from Michael Engler and Joelle Tourlonias. It is emotionally evocative of both Milne and Watterson, and expertly communicates through the artwork the overlay of the imaginary over the reality. When Andrew learns the truth, the reader is just as crestfallen as the child -- and they simultaneously share in his elation when the story reaches its heartwarming conclusion.

I love anthologies. The stories are short, there's enough of them that you're likely to find a handful that you really enjoy, and they're ultimately re-readable, and on second and third passes, you may find the stories you skipped the first go-round end up surprising you later when your mood shifts.

A picture, so the expression goes, is worth a thousand words. That being the case, the political cartoon is worth a thousand words and change, the art form being one that conjoins the satirical image with paucity of pithy text. Which brings us to one of the pioneers of the form: the magazine called Puck, the subject of this lavish (and heavy!) compendium from IDW and The Library of American Comics.