For those of us who live without BBC America on our tellies, the Blu-ray/DVD releases are an event. Yes, we're behind the curve of all the other Whovians, but we just pretend we're time-traveling to the day of the broadcast premiere. It adds to the overall gestalt of following The Doctor.

While the Crime Syndicate was busily taking over the Earth, the question was raised: Where was the Justice League?

The heroes of the world had been imprisoned, uniquely, within the Firestorm matrix, each in a world that capitalized on their psychological weaknesses, trapped in scenarios that prevent them from realizing they're in a fiction. Only the Martian Manhunter and Stargirl understand what is happening, as they probe deeper into the prison. But are they in the process of rescuing the heroes, or are they in a prison themselves?

The Hunger Games has to be one of my favorite books. Mockingjay -- the third and final installment of the trilogy? Not so much. In fact, it was such a deviation in tone, style, and characterization that many readers felt let down, so much so that an essay on why people hated the third book made it into Smart Pop's collection, The Girl Who Was On Fire.

So it almost seems as though Lionsgate is adding insult to injury by taking "the worst of the three" and extending it out over two movies, drawing out the agony.

There's a giant flying monster that, wherever he goes, acts like a giant EMP burst. Cities are drained of power when he's near. Across the ocean, there's another giant monster on the ground who does the same thing. (Although not having power is the least of the problems when the skyscraper you're in is being toppled.) There's very little humanity can do except to drop a nuclear bomb on them -- powered by an analog wind-up timing device, out of necessity.

Thanks for coming by to visit us. We're busily sweeping up the place, buying new furniture, washing the windows, chasing out the rats, and doing everything we can to entice you to come back when we have our content up and ready. It's going to be soon.

Back in the mid-90s, I was picking up Joseph Michael Linsner's Dawn books. I didn't always get the content, but I certainly appreciated the artwork. In years prior, I also snuck peeks at Vampirella (I was too young to be allowed to get caught reading them), also for reasons of artwork as well as the cutting edge mature storylines.

Two great tastes ought to go great together, right?

Let's start with page zero -- the cover. This is classic Linsner. The color tones, the enigmatic smiles, the Lauren Bacall hair flip, the knowing eyes, the clean lines, the unapologetic breast forms. Frame this sucker somewhere, because it's simply gorgeous.

DC's Justice League books were, perhaps, the most enjoyable ancillary chapters of the Forever Evil event. Not surprisingly, they were written by Geoff Johns, so their content didn't contradict anything happening in the main Forever Evil miniseries, and having Ivan Reis and Dough Mahnke provide the interior artwork made them a thing of beauty.

When I was a fledgling comics reader, one of my favorite genres was the horror anthology. I was too young to have enjoyed EC in its heyday, so my go-to titles were the DC books like House of Mystery, House of Secrets, Ghosts, Tales of the Unexpected and Ghosts. For a brief, bright time during that point in my life, I was also treated to Charlton Comics' Midnight Tales with Arachne and the Midnight Philosopher.

There's a void in the comics industry for this genre today, but Zenescope is taking steps to fill it. Grimm Tales of Terror isn't an anthology, so to speak, as each story takes up the whole issue, but at least the tales are standalone grisly tomes.

Geoff Johns proves time and again that he not only knows how to play with all the toys in the DC sandbox, but that he can do it better and use them in ways previously untried.

I've always enjoyed DC's decades-long riff on the Many Worlds theory. So much so that I have my Green Lantern #40, with Hal Jordan and Alan Scott learning about Krona and his multiverse-creating experiment, framed on my office wall, next to my two-part Justice League of America: "Crisis on Earth-3" issues. Those issues, introducing the evil mirror-image Justice League members known as the Crime Syndicate, form the keystone to this epic tale where the bad guys have been playing the long game -- and finally win (at least for a little while). The Crime Syndicate was quickly followed by the Lawless League of Earth-A, but that team didn't have nearly the resonance of the Crime Syndicate.

It took a little bit, but I'm finally starting to really like The Flash in DC's New 52 Universe. He has a new status quo, a new life, and a new love in Patty Spivot -- even though there's every indication that at some point in the future Barry Allen is destined to be with Iris West. He also has a new angle on his Speed Force powers, which play heavily into this fourth volume, "Reverse."

Carl Potts is just as responsible for my comic fandom as Stan Lee, Bob Kane or Will Eisner. Not only was he responsible for helping industry luminaries Jim Lee and Art Adams break into the business, Potts also wrote or edited many of my favorite comics in the 80s and early 90s, including Dr. Strange, The Defenders, The Punisher War Journal, Strikeforce: Morituri, Marvel Fanfare, Shadowmasters, and the original graphic novels Last of the Dragons and The Alien Legion: A Grey Way to Die. That graphic novel spawned a very successful ongoing series under Marvel's more mature Epic imprint. Now, thirty years since its inception, the Alien Legion is back with an all-new mini-series, Alien Legion: Uncivil War. The first issue is scheduled to hit the shelves on 6/25/2014. The former Marvel Editor-In-Chief took some time to discuss the past, present, and possible future of his beloved space warriors. 

The latest book delivery gifted me with one bearing C. Robert Cargill's byline. This is one of the things that merits a call to stop everything and pore all efforts into one review.
Having read and loved and shared Dreams and Shadows, I was eager to see what Cargill would do in his next novel. And I was more than delighted to learn that Queen of the Dark Things was going to revolve around Colby Stevens and Yashar, two of the central characters from the first book, making the magically knowledgeable Colby something of a South Texas Harry Dresden. In Queen of the Dark Things, we get to see a little more of Colby's younger years, and the training he received in the Outback of Australia.
Colby becomes a pawn in a plot that reaches back four hundred years, and a curse that has nearly reached its culmination point. However, the plot has backfired on the five demon dukes who hatched it, and their brethren have elected to use Colby as their agent to rescue them.

Legacy, the next generation of The Destroyer franchise, has had a slow start over its first two books, but the characters are starting to settle into their roles and the styles of Destroyer creator and veteran writer Warren Murphy and that of The Last Witness author and creator Gerald Welch are starting to hum like a well-oiled machine. And speaking of well-oiled machines... No, it's too soon to let that cat out of the bag yet.

A long time back (it seems) I remember reviewing Raven Gregory's Return to Wonderland. That has been my one and only exposure to the Zenescope line of comics. Certainly I've been aware of them. The eye-grabbing covers (yes, I'm male, why do you ask?) have captured my attention on more than a few hundred occasions. But I did not realize what was being built across the various titles. And now that the company is at the stage where their flagship title is nearing its 100th issue, I think it's time I gave this indie publisher some of the respect it deserves.

So a few emails and some time-zone mathematics later, I'm on the phone with Zenescope's Pat Shand, asking all the neophyte questions and trying to get a handle on all these various characters running about the titles as they prepare to kill each other.

I've had the opportunity to peruse a couple of art books over the years, and while I can appreciate the quality of the work that goes into them, and the talent of the artist being showcased, eventually it seems each turn of the page starts to reveal "more of the same."

With Genius, Animated: The Cartoon Art of Alex Toth, there is just so much variation of style, so many characters and stories involved, and so much nostalgic coolness to it that anyone who remembers even a pinch of the cartoons involved will be entranced for hours. I know I was, because I spent three hours with this book, which was pretty much a cover-to-cover experience.

If you're enjoying the current crop of outdoor-related reality programming, you may want to check out -- and thank -- Ted Nugent's Spirit of the Wild. Now entering it's 25th season on Outdoor Channel, Spirit of the Wild is an up-front and unsanitized look at hunters and hunting starring Ted and Shemane Nugent doing what they love.

This writer was honored with the opportunity to speak to Nugent about his show, but also his music and his unfettered political opinions -- and anyone who's heard Nugent interviewed knows the best thing the interviewer can do is get out of the way and let Nugent take over.

The new season of Spirit of the Wild debuts Tuesday, July 2nd at 8:30pm EST on Outdoor Channel.

Video game art books take fans inside the minds of the creative writers and artists that build beautiful, unique, and beloved characters and universes. They are made with the sole purpose of providing commentary and conceptual artwork to let the fans fully realize the work and progress that was made in the process of building the game. The Art of Thief does all of these things well, letting fans get a more in-depth view of the main character, Garrett, supporting characters, the world, items, and more, but will likely leave you wanting more.

Entering any of the Black Squirrel Books reprint anthologies of The Complete Funky Winkerbean is like opening a time capsule. That's because Tom Batiuk's daily comic strips weren't just humorous, but they were consistently on topic to the current events of the day. At times, it's a moment of remembering how things were; at others, it's a reminder of just how much things haven't changed that much at all.

I had the opportunity to go to my first ever Con. In particular, I went to the 2014 Wizard World Comic Con in St. Louis, Missouri. Hosted at the America’s Center convention center, this was to be my very first Con that I attended, and needless to say, I was completely stoked.

I went in with typical fanboy aspirations. Maybe I’d shake Lou Ferrigno’s massive hand. Perhaps I’d get to tell Burt Ward and Adam West how many hours of my life I’d lost in front of the TV at my grandparents watching old episodes of Batman. I’m not a huge fan of Dr. Who (I’ll tar and feather myself now, thanks), but I was definitely planning on meeting cult classic icon Bruce Campbell.

As I entered the cavernous space that is the America’s Center, I decided that first things needed to be first. I needed to see my good friend, the wonderfully talented Aaron Walther.

Wizard World Saint Louis rolled into town yesterday and continues today thru tomorrow. I ventured into the fray this morning with plans to see as much as possible, and I was not disappointed. There is soooo much to see and do. The staff did a good job of keeping everyone organized and moving. The show appears twice as big as it was last year, this year using the floor of the Edward Jones Dome as the main area. With the huge list of artists, celebrities, vendors and events, they needed it.

Everyone from William Shatner to Matt Smith, Adam West and Burt Ward to Bruce Campbell… Every avenue of science fiction, comics, anime, cosplay and video games is represented here. I love coming to the shows to see it all.