The best comic book heroes, whether villains or superheroes, introduce some fun and originality to the story. They have quickly evolved from paper to screens, and games. Through the ages, some of the most popular villains have also been gambling enthusiasts. Here are a few of them:

I've wanted to like Batwoman. Wanted to from the very launch of the series. But the first season steadily tanked midway through, and this second season hasn't done much to right the ship.

The new Batwoman, Ryan Wilder (Javicia Leslie) is personally moved by a missing boy when she sees the location from where he was taken. It turns out Ryan herself had been taken as a young girl at the exact same location -- a comic book shop -- by a woman who called herself The Candy Lady (Linda Kash). She would keep the children in her attic with a bowl of jellybeans, and then take a jellybean each day as a sort of countdown for two months to prove the child didn't matter to anyone -- as nobody would come looking for her.

And the Candy Lady isn't seen as a threat to her potential victims, because she's a nice white woman.

Snowpiercer is a television series based on the movie of the same name, starring Jennifer Connelly, Daveed Diggs, and an expanding cast of characters who, mostly, represent the less-than-respectable aspects of humanity.

The Snowpiercer itself is a train, 1000 cars long, that houses the last remaining humans on Earth. With the planet frozen over, one man's vision was to create a train that would keep traveling around the globe, generating heat and being a self-sustaining environment to support everyone until... well, until the world warmed up again, I suppose. As plans go, I'd have probably opted for a space station, or an underground bunker. But, hey, who doesn't love a train? And maybe we'll even get a toy line out of it.

When one calls to mind Red Sonja, the She-Devil with a Sword, "romantic comedy" isn't one of the phrases that usually jumps out at you. And yet, with Dynamite's 2021 Red Sonja Valentine's Special, Bill Willingham and Giuseppe Cafaro somehow make it work.

The story opens with Sonja preparing to collect on one of her mercenary jobs by collecting the head of a witch who gave a man a false fortune. But Sonja is about to discover that this witch is not some mere charlatan, and the revelations had here set the stage for the second part of our story -- after a brief intermission to learn some of "Red Sonja's Do's & Don'ts of Dating."

Arrow Films brings to Blu-ray Joint Security Area, a 2000 South Korean mystery thriller film starring Lee Young-ae, Lee Byung-hun and Song Kang-ho. Directed by  Park Chan-wook, JSA is based on the novel DMZ by Park Sang-yeon, and was the highest-grossing film in Korean film history at the time. It won Best Film at the 2000 Blue Dragon Film Awards and the 2001 Grand Bell Awards.

In order to give a SPOILER FREE write-up of this film, I will first need to explain what a JSA is to those of you that may not know the history of the conflict between North and South Korea. The Joint Security Area is the only portion of the Korean Demilitarized Zone where North and South Korean forces stand face-to-face. The JSA is used by the two Koreas for diplomatic engagements and, until March 1991, was also the site of military negotiations between North Korea and the United Nations Command.

Sports and movies have both been around for a very long time, so it’s no surprise that they are a match made in heaven. Over the years, sport-centric films have grossed hundreds of billions of pounds. Of course, as with all art, there are good and bad depictions of the hobbies and pastimes we all love.

Ranking them can be challenging, especially since individuals enjoy different features of movies. However, the four following illustrations are regularly highlighted as the best releases of any era. With the amount of screen time on the rise – it has increased by 63% - these are excellent choices if you’re searching for something to watch!

Rocky (1976)

On the same day Critical Blast announced that Gina Carano had been selected by our readers as the Best Series Actor for 2020 based on her work in the Disney Plus streaming series, The Mandalorian, came the shocking capitulation from Lucasfilm to social media outrage over postings by the actress. The postings addressed historical methods of the government dividing people by turning friends and neighbors on each other before moving in themselves to take over the process.

Streaming services once again dominated the voting for the category of Best Series Actor of 2020, with not a single traditional broadcast medium making a statistical showing.

Hulu's The Great saw leads Elle Fanning and Nicholas Hoult both achieve 3% of all votes cast, in a three-way tie with DC Universe's Stargirl's Luke Wilson, while the superhero lead for the aforementioned Stargirl, Brec Bassinger, pulled in 4%.

DC Universe also saw Doom Patrol's April Bowlby stretch past the pack to nab 9% of the ballots, but Anya Taylor-Joy doubled that with 18% for her work on Netflix's The Queen's Gambit.

Where most of the categories this year have seen an influx of competition, from comics to movies to shows, the Best Film Actor category was surprisingly slim this year -- perhaps an indication that while the films themselves were entertaining, there were very few standout performances in them. It seems an odd dichotomy, yet here we are.

Leading off the list of nominees for Best Film Actor of 2020 is Stranger Things' Millie Bobbie Brown for her titular role in the Netflix film, Enola Holmes, taking only 2% of the vote. She us only barely passed by Ariana Greenblatt, with 3%, for her supporting role in Love and Monsters. 

When Critical Blast first published, we tried to create a category for every form of entertainment medium. A natural choice seemed to be television -- if you didn't see a movie in a theater or on home video, that seemed to be the default option.

Even when we began our annual reader-decided awards, "Best Television Show" seemed a natural category, even with streaming services firing up. But now it just seems strange to call it that -- anachronistic even, particularly in a year where not a single traditional broadcast network garnered enough votes for any series to make a sizeable showing in our results. Streaming has done to serial entertainment what crowdfunding has done to comic books -- it's widened the field of choices and the competition has gotten fierce.

It's no secret that Hollywood was hit hard by the 2020 pandemic. With theaters closed, film production came to a halt and many movies had to look for alternative outlets such as streaming on their sister company channels. The lack of big budget competition paved the way for films shot specifically for streaming services such as Netflix and Hulu to jump into the competition as well, giving our viewers a more diverse set of titles to vote on this year for the Best Film of 2020, casting their ballots for such fare as Dolittle, Love and Monsters, and Mulan.

Netflix lands in the bronze spot this year, netting 14.66% of the vote with their Victorian action adventure, Enola Holmes, starring Millie Bobbie Brown as the younger sister to the famous detective Sherlock -- played here by a mustachioed Henry Cavill -- and the standoffish Mycroft.

Death, more than anything else, holds a macabre sway over humankind; it’s the ultimate mystery, unknowable to all in life, and those areas where we believe we may come closest to touching any answers to the eternal question of what comes after are viewed with an eerie blend of fascination and dread. In the United States alone there are in excess of 19,322 funeral homes, and while corporate chains have gobbled up many of the traditionally-owned businesses, there still exists many a family who live their days, spend their nights and share their domiciles with the dearly departed.

During a year where people were forced to huddle in their homes, sequestered from the populace in order to stave off the Zombie Apocalypse / Andromeda Strain pandemic, comic books -- especially small press and crowdfunded comics -- too off in a big way. And while people still loved to be scared and thrilled by an ever ready stream of horror and superhero titles, ultimately people wanted to laugh this year, and they showed it in their votes.

While the "big two" of DC and Marvel made a far more impressive showing than they did in the Best Comic and Best Comic Artist categories, there was still the undeniable presence of the upstart, bellying up to the bar and shouldering the giants aside to sit among them as equals.

Given what has been an unprecedent year for comics, culminating in an overwhelming number of nominations from independents and crowdfunded titles vying for the honor of Best Comics of 2020, it isn't surprising that the competition for the Best Comic Artist would be just as heavy. A sign of this is that "Other" -- a housekeeping category that usually represents about 1% of total votes every year from write-ins, gathered up a sizeable 9% this year, representative of just how many new up-and-coming artists are on the horizon. In fact, "Other" is the faceless hominid standing in the bronze position of our Comic Artist Olympics, having placed third among all other nominees and write-in candidates! So congratulations, Other, and better luck next year!

Every year, Critical Blast opens up the polls to our readers to select the best of everything entetainment, in multiple categories. And while some categories slimmed down this year due to the spread of coronavirus forcing people to stay home, the comic book business has seen a boom, thanks largely to a number of independent creators who have turned away from the traditional publishing market and toward crowdfunding to get their four-color fantasies fit to print and into the hands of readers.

Full Moon Entertainment brings you the next evolution in cinema: Corona exploitation is here!

It was just a matter of time until low budget movie houses and indie filmmakers cashed in on the crisis. The first offering is here and sets a very low bar. In fact, I can hardly call this a movie. It’s more of spliced together mismatched clips from previous films intertwined with some original content and news footage of the recent corona virus outbreak.

Horror fans will recognize the films Hell of the Living Dead and Zombies vs. Strippers, which are the two films sampled in this movie. But Full Moon goes full Rifftraxx/Mystery Science Theater on them, overdubbing the dialog with social commentary of today and a forced humor that makes it sometimes wish you were quarantined from watching it.

While I appreciate that Dynamite Comics is embracing the whole "many worlds" theory and integrating their diverse titles, the journey has led to a state of crossover fatigue, the nadir of which may actually be manifest in this new miniseries, Sonjaversal, in which Red Sonja, the infamous She-Devil with a Sword, crosses paths with... Orange Sonja.

Yes, Orange Sonja, herself fresh from watching a mech battle a dinosaur -- who were Purple Sonja and Green Sonja, respectively. And, yes, color-coded lettering is included in the story.

It's February -- the month of hearts and flowers, stuffed bears and romantic greeting cards, and all in the name of love.

One of the things we here at Critical Blast love is cosplay, which is why every month our staff combs the cosplay community for up-and-coming cosplayers who deserve to have a broader audience for their work, taking into account not only costuming skills and spirit, but also how they use that ability in service to others. Through this, we've not only met some talented cosplayers, but also some fine human beings.

Which brings us to Steffany, who uses the nomme-du-cosplay New Moon. So let's dive right in and get to know her better! Critical Blast is proud to introduce you one and all to the...

The fifth season of Riverdale has only aired its second episode, and it already feels like all the air has been let out of its tires. "The Preppy Murders" wraps up just about every mystery that was left -- some of them too quickly and too pat -- in what feels like a rushed job of writing. Granted, it could be that these first few episodes might have been meant to be the last few episodes of the previous season, cut short by COVID-19, and perhaps that's why this episode has such a "finale" feel about it. But there wasn't much left to springboard out of for the rest of the season, let alone the next episode.

The misguided attempt to turn Vampirella into Supervamp continues with this second issue of Vampirella: The Dark Powers. The Dynamite Comics concept of "plural worlds" is the tableau against which Project; Superpowers gathers all its members from various alternate Earths, finding Vampirella on Plural Earth 0666. The majority of the membership isn't comfortable with her being on the team, partly because in their last adventure her methods of attack was responsible for one of their members being put in critical condition. Also, plunging in without knowing the facts about the enemy allowed the enemy to regroup with an even larger threat, adapted to what it has learned of Vampirella's power set.