Movies

Mississippi Grind depicts a tale of two men on the road for a massive payday. The pair of Gerry and Curtis, two juxtaposed characters who hit it off in a Mississippi bar, are brought to life by Ben Mendelsohn and Ryan Reynolds. The star-studded duo is directed by equally talented counterparts Ryan Fleck and Anna Boden, who also wrote the screenplay. Fleck and Boden rose to fame with their critically acclaimed Half Nelson, starring Ryan Gosling, and Sugar, a baseball classic. Eventually, Fleck and Boden hit the blockbusters with Captain Marvel. However, they're known to bring a refreshing perspective to the well-trodden subject matter. Where Mississippi Grind sits on the echelon of casino and gambling movies is up for debate. It can divide opinion, but there's more on bestcasinosites.net to help with the nuances. 

Marla Grayson (Rosamund Pike) is running a very sweet scam that puts her in charge of the financial holdings of elderly people. But she doesn't work alone. She has help within the medical and assisted living community who work together to present convincing cases to the legal system in order to declare their victims incapable of caring for themselves. These hearings are done without the victim present, where they are then appointed a legal guardian: Marla. Marla then presents the elderly person with the signed document, escorts them from their home to the care facility, and proceeds to liquidate all their assets.

The scheme is presented with such plausibility that I Care a Lot could be classified as a horror movie for seniors.

Cinema, in all its forms, provides the childlike promise of escape, and even in its darker varieties film imparts a fantastical outlet from everyday pressures. Yet while most expressions in the horror genre are merely grisly vehicles of titillating mass distraction, filled with enticing, popcorn-munching, beer-swilling thrills and chills, blood and bare breasts, others are confrontations, less watched than survived, and from the silver screen nightmares of The Texas Chainsaw Massacre and Jacob’s Ladder to little-seen gems such as 1997’s grimy vampire-as-addict opus Habit, there is a strain of moviemaker unsatisfied with presenting a reassuring experience, preferring to let viewers interpret the work without storytelling guardrails.

Watching a movie is one of the best ways to spend time together, but not all movies are equally suitable for this. People in love often have different interests, so choosing the perfect film can be a real challenge.

While you and one of the mail order brides you date may prefer different genres and themes in cinema, certain films are guaranteed to please both of you. We have prepared 12 date-appropriate movies to help you stop worrying about what to watch and spend more time with each other.

1. Couples Retreat

Cynthia and Jason realize that their marriage is in trouble, so they decide to go to a tropical island paradise. This is where the special Pelican program is organized, but it is only available to the group, so they invite six of their close friends.

Ah, sweet romance, that burning, all-encompassing drive of two souls that seek to become one. Yet is there a way to know with absolute certainty who you are allowing into your heart? Many a tragedy has been begat by passion’s fire, and such musings abound in Tentacles, one of the releases from Blumhouse Films’ new Into The Dark series, and the questions posed about trust and identity are given dark psychosexual dressing that infuse an otherwise stale B-movie plot with dangerous, eldritch intensity. 

Sports and movies have both been around for a very long time, so it’s no surprise that they are a match made in heaven. Over the years, sport-centric films have grossed hundreds of billions of pounds. Of course, as with all art, there are good and bad depictions of the hobbies and pastimes we all love.

Ranking them can be challenging, especially since individuals enjoy different features of movies. However, the four following illustrations are regularly highlighted as the best releases of any era. With the amount of screen time on the rise – it has increased by 63% - these are excellent choices if you’re searching for something to watch!

Rocky (1976)

Where most of the categories this year have seen an influx of competition, from comics to movies to shows, the Best Film Actor category was surprisingly slim this year -- perhaps an indication that while the films themselves were entertaining, there were very few standout performances in them. It seems an odd dichotomy, yet here we are.

Leading off the list of nominees for Best Film Actor of 2020 is Stranger Things' Millie Bobbie Brown for her titular role in the Netflix film, Enola Holmes, taking only 2% of the vote. She us only barely passed by Ariana Greenblatt, with 3%, for her supporting role in Love and Monsters. 

It's no secret that Hollywood was hit hard by the 2020 pandemic. With theaters closed, film production came to a halt and many movies had to look for alternative outlets such as streaming on their sister company channels. The lack of big budget competition paved the way for films shot specifically for streaming services such as Netflix and Hulu to jump into the competition as well, giving our viewers a more diverse set of titles to vote on this year for the Best Film of 2020, casting their ballots for such fare as Dolittle, Love and Monsters, and Mulan.

Netflix lands in the bronze spot this year, netting 14.66% of the vote with their Victorian action adventure, Enola Holmes, starring Millie Bobbie Brown as the younger sister to the famous detective Sherlock -- played here by a mustachioed Henry Cavill -- and the standoffish Mycroft.

Death, more than anything else, holds a macabre sway over humankind; it’s the ultimate mystery, unknowable to all in life, and those areas where we believe we may come closest to touching any answers to the eternal question of what comes after are viewed with an eerie blend of fascination and dread. In the United States alone there are in excess of 19,322 funeral homes, and while corporate chains have gobbled up many of the traditionally-owned businesses, there still exists many a family who live their days, spend their nights and share their domiciles with the dearly departed.

Full Moon Entertainment brings you the next evolution in cinema: Corona exploitation is here!

It was just a matter of time until low budget movie houses and indie filmmakers cashed in on the crisis. The first offering is here and sets a very low bar. In fact, I can hardly call this a movie. It’s more of spliced together mismatched clips from previous films intertwined with some original content and news footage of the recent corona virus outbreak.

Horror fans will recognize the films Hell of the Living Dead and Zombies vs. Strippers, which are the two films sampled in this movie. But Full Moon goes full Rifftraxx/Mystery Science Theater on them, overdubbing the dialog with social commentary of today and a forced humor that makes it sometimes wish you were quarantined from watching it.

Have you ever wondered what would happen if Herbert West from the Re-Animator series were to get a job at a Dunkin' Donuts? Well look no further than this low budget hidden gem from 2016 that won't leave you feeling glazed over.

The plot is a simple one: a chemical accident turns ordinary donuts into bloodthirsty killers. Now it's up to Johnny, Michelle, and Howard to save their sleepy town from...Killer Donuts!

Crowdfunded Fan Films are gaining traction… and FUNDS! Will Hollywood take notice?

It was the best of times. It was the worst of times.

Actually, it was 2020, so scratch that first bit entirely. But as ugly as the past year has been, there were still a few moments that perked things up. So as loath as we may all be to actually look back at this year, we're asking our readers to do so for just one more month as we collect votes from you, our readers, to select the award winners in our BEST OF 2020.

The movie theaters were bereft most of the year, but production companies found ways around that, and many movies went straight to streaming services. Streaming options also presented us with several nominees for our Best Series.

But it was the crowdfunding renaissance in the comic book arena that really shook up the nomination processes this year, shouldering their way past the mainstream giants to stand side-by-side with them for Best Comic, Best Comics Writer and Best Comics Artist.

For millennia the nature of existence has both intrigued and terrified humankind; philosophers, alchemists and the religiously inclined have written inexhaustible volumes about their quests to understand the totality of the universe we inhabit and our place in it. Within our modern age artistic expression has often served as the primary engine for those of thoughtful disposition to pose questions regarding reality in ways that not only provoke but entertain.

“Everyone who comes here has a secret,” one character steadfastly states halfway through Uncork’d Entertainment’s latest enigmatic offering, Bright Hill Road, and the mysteries offered in the film’s slow burn, are the exact kind those same philosophers of yore propounded: Where are we and why, exactly, are we there?

We've seen movies like LOVE AND MONSTERS before. At least, that's the first impression one gets when first meeting Joel, played by Joel: Dylan O'Brien (Teen Wolf, Bumblebee). He's a bit of a lovable loser living in a post-apocalyptic world inhabited by giant monsters created by a bizarre radiation fallout. He lives with a small underground colony of hunters and gatherers, where he serves as the cook because he freezes up when danger threatens. Right then, you know that this is going to be Joel's personality throughout the show, and he's going to luck his way into some kind of victory using his one unique skill that only he could pull off. And you couldn't be more wrong. First off, despite his lack of skill as a fighter, the colony loves him. They all want to protect him and watch out for him.

The gritty, post-Vietnam period of the 1970’s made an indelible mark on horror cinema. Long gone were the gothic icons of the Universal pantheon and the B-Movie buffoonery of the Eisenhower years--a new wave of unflinching realism took hold that examined and, more often, confronted, a world numb from war and economic instability, drugs, sexual promiscuity and mistrust, and films like The Texas Chain Saw Massacre, Rabid, Martin and Blue Sunshine were awash in the decade’s heady experimental attitude.

Ellen Hollman (THE MATRIX 4) headlines this indie thriller that plays on the trope of "band of criminals does the wrong person wrong." During a wilderness trek with her husband, Dillion (Matt Passmore), a police officer recovering from a recent attack, Brenner (Hollman) stumbles upon a band of backwoods clan of gun runners. The gang is led by Mama (Geraldine Singer), who rules with an iron fist in a velvet glove. Her men are mostly brutes, and the women are kept in cells, only brought out for subservient tasks or mating.

“…Thorolf, an early settler of the island, reappeared after his burial. Cattle that went near his tomb became mad and died. His haunting at home caused his wife’s death. His wanderings were stopped for a while by the removal of his body to a new location. But he returned and, finally, his new tomb was opened and his body burned and ashes scattered.” --From the Icelandic Eyrbyggia Saga,

Whether it’s severing limbs with a shovel or depicting shotgun blasts to the head, there’s something about an English accent that lends an air of sophistication to even the most intense displays of cinematic splatter. Indeed, that most revered of all British storytellers was renown for crafting gruesome set pieces, and like Shakespeare’s finest, 4Digital Media’s newest release, The Curse of Hobbes House, revels in the dramatic tension provided by supernatural underpinnings, treachery, murder and deliciously malicious mayhem.

“…Strange appearances and uncommon sounds had been seen and heard by different members of the family at times, some year or two before I knew anything about it…Even the knocking on the door, and the outer walls of the house, had been going on for some time before I knew of it.”

So goes an account written in the memoirs of Richard Williams Bell, one of the seven children born to John Bell Sr., an affluent Adams, Tennessee farmer who, two centuries ago, played host to one of the most infamous and thoroughly examined hauntings in southern American history, that of a violent, wrathful entity referred to as The Bell Witch. From 1817 to 1821 the Bell family endured one otherworldly assault after another, beginning with mysterious poltergeist-like noises, scratchings from within walls, to hideous disembodied voices, physical attacks and unexplained illnesses, culminating in the appearance of a fearsome female specter that called itself simply, "Kate Batts, witch."